The Making of an Argument by Gordon Parks featured in The New Yorker

Added on by monika condrea.

“The Making of an Argument” evaluates the editorial decisions made by the magazine and, in doing so, comments on how the context in which a picture is presented can drastically alter its message. “In order to meet the expectations set up by the subtitle and the opening text, an overwhelming majority of the pictures selected underscore violence, fear, frustration, aggression, or despair. Of the twenty-one images reproduced, only five strike a lighter note,” writes Russell Lord, the curator of photographs at NOMA. Lord also notes that the ways the images were cropped and darkened further functioned to convey the magazine’s intended message.

Click here to read the full article by Genevieve Fussell.

 

 Untitled, Harlem, New York, 1948

Untitled, Harlem, New York, 1948